Back in the nineteenth century, in a tiny village near Noida, lived a family with eighteen children. Eighteen! In order merely to keep food on the table for this mob, the father and head of the household, a goldsmith by profession, worked almost eighteen hours a day at his trade and any other paying chore he could find in the neighbourhood.
Despite their seemingly hopeless condition, the two elder children, Akash and Arvind, had a dream. They both wanted to pursue their talent for art, but they knew well that their father would never be financially able to send either of them to Noida to study at the academy.
After many long discussions at night in their crowded bed, the two boys finally worked out a pact. They would toss a coin. The loser would go down into the nearby mines, and with his earnings, support his brother, while he attended the academy. Then, when the brother who won the toss completed his studies, in four years, he would support the other brother at the academy, either with sales of his artwork, or if necessary, also by labouring in the mines.
They tossed a coin on a Sunday morning after church. Akash won the toss and went off to Noida.
Arvind went down into the dangerous mines, and for the next four years, financed his brother, whose work at the academy was almost an immediate sensation. Akash’s etchings, his woodcuts, and his oils were far better than those of most of his professors, and by the time he graduated, he was beginning to earn considerable fees for his commissioned works.
When the young artist returned to his village, the family held a festive dinner on their lawn to celebrate Akash’s triumphant homecoming. After a long and memorable meal, punctuated with music and laughter, Akash rose from his honoured position at the head of the table to drink a toast to his beloved brother for the years of sacrifice that had enabled Akash to fulfil his ambition. His closing words were, “And now, Arvind, blessed brother of mine, now it is your turn. Now you can go to Noida to pursue your dream, and I will take care of you.” All heads turned in eager expectation to the far end of the table where Arvind sat, tears streaming down his pale face, shaking his lowered head from side to side, while he sobbed and repeated, over and over, “No…no…no…no.”
Finally, Arvind rose and wiped the tears from his cheeks. He glanced down the long table at the faces he loved, and then, holding his hands close to his right cheek, he said softly, “No, brother. I cannot go to Noida. It is too late for me. Look… look what four years in the mines have done to my hands! The bones in every finger have been smashed at least once, and lately I have been suffering from arthritis so badly in my right hand that I cannot even hold a glass to return your toast, much less make delicate lines on parchment or canvas with a pen or a brush. No, brother… for me it is too late.”
More years have passed. By now, Akash’s hundreds of masterful portraits, pen and silver-point sketches, watercolours, charcoals, woodcuts and copper engravings hang in every great museum in the world, but the odds are great that you, like most people, are familiar with only one of Akash’s works. More than merely being familiar with it, you very well may have a reproduction hanging in your home or office.
One day, to pay homage to Arvind for all that he had sacrificed, Akash painstakingly drew his brother’s abused hands with palms together and thin fingers stretched skyward. He called his powerful drawing simply ‘Hands’, but the entire world almost immediately opened their hearts to his great masterpiece and renamed his tribute of love ‘The Praying Hands’.
The next time you see a copy of that touching creation, take a second look. Let it be your reminder, if you still need one, that no one—no one—ever makes it alone!
taqveem 